ISSUE 1 · SPRING 2026

Artist: Scherezade Garcia // Harvest of the Sea, 2023, Acrylic, pigment, charcoal, ink on linen, 82 1/2 × 162 in. (209.55 × 411.48 cm), Los Angeles County Museum of Art, Purchased with funds provided by Contemporary@LACMA, 2023, (M.2023.187), photo © Museum Associates/LACMA.

Rules for Engagement

An introduction and welcome

What emotion, reader, have you been experiencing?

If you are scared, be numerous 

What started as a small idea turned into a growing community. Current and former students showed up. Then they came back.

It truly wasn’t anything fancy. It was a small fun group.1https://www.publicsource.org/la-to-pittsburgh-culture-shock-latina-for-the-girls/

“It was a fine cry—loud and long—but it had no bottom and it had no top, just circles and circles of sorrow.”2Toni Morrison, Sula

3Image source: Forensic Anthropology: Current Methods and Practice 1st Edition by Angi M. Christensen, Nicholas V. Passalacqua, Eric J. Bartelink

At dawn, a woman sits on a riverbank at the water’s edge. Her reflection is trapped in the water before her. Her shadow is nailed to the soil behind her. She is split three ways: Be stone not Sight not Thought but Gash.

When crisis arrives as a question, follow where the music comes from waltzing in one-two-three.

Step in. What’s stopping you from touching the page—from folding, tearing, collapsing language?

Come back, bring (a) friend(s).

– the Editors


PART 1: APPROACH


PART 2: BRIDGE

a folio from our sibling, Carlow University


PART 3: DEPARTURE